We all love high quality, gorgeous game components. Chunky dice, metal coins, thick cardboard, linen finished cards, detailed miniatures or custom meeples. However, what we often forget is how components are used in games. We all know about rolling dice, playing cards and placing workers, but there are other, much more inventive ways of using components in games that can make playing them more memorable and exciting for us and it is one of the things that I am always keeping an eye out for.
Of course it is important to make sure everyone knows about the game you’re planning to release very soon or the campaign that’s going to launch on Kickstarter shortly. You want people to be excited, so they share it with their friends. You want people to think your game is the best fit for them, so it can compete with the myriad of other games vying for people’s attention all the time. In fact, you want your game to be amazing – the best it can be. You want others to love it as much as you do. However, there comes a point at which you might be promising more than the game can deliver. You can run the risk of overhyping your game, which can have a hugely negative effect.
Tabletop game designers want to create an enjoyable experience for people – whatever enjoyable means in this context. From that starting point, they create a game that is balanced, flows well and meets the desired complexity requirements, as well as meets other criteria. They may use the skillset of developers to refine everything, and if a publisher is involved, there will be additional criteria that have to be met. However, in this article, I want to focus on enjoyment, what it means and whose responsibility it is to make a game enjoyable.
Chits, tokens, player boards, tiles, pieces, cards and all the other components we have come to know and love can sometimes be a bit of a problem: when you need to place dozens upon dozens of them into specific places on the game board or player mat and spend hours shuffling dozens of decks of cards before you can even think about starting the game. Setup is something most of us will want to be quick, so we can get to the fun bit as soon as possible.
For the first time, the Tabletop Games Blog is giving away an award: the Top Table Award for the best game released in 2019. As you know, a lot of new tabletop games were released this year, probably around 3,000 to 4,000, excluding expansions. That’s more games anyone will ever be able to play in a year, and I have probably only seen 20-30 of those. However, I still thought it’d be good to share with you my top 5 games that were published in 2019 and crown the winner.
In Startropolis by Petersen Games, you competitively build a 3D space station by attaching modules to a central core, while following certain attachment rules.
A hook, as per the dictionary definition, is something that draws you in. In games, a hook can be a number of different things. Often it is something visually exciting, such as beautiful illustrations, amazingly detailed miniatures, realistic resources or some sort of physical component that is integral to gameplay. Hooks can also be an interesting theme, an exciting gameplay mechanism or even the background story behind how a game was made. Certain awards or even the price of a game can be a hook too. Ultimately it’s about finding something that grabs your attention and gets you to take a closer look.
I am not sure if you’ve come across this before, but you may have heard some people on a podcast or in a tabletop games review video talk about a game being overproduced. Often the term is used in a negative way, implying that a game includes unnecessary components and therefore is more expensive than it needs to be. However, different people seem to apply this term to different games in different ways, so I wanted to look at it a bit more closely and see whether we can investigate what overproduced actually means and whether it is indeed a bad thing.
We all know that the use of plastics has become a huge issue. So-called microplastics, tiny particles of plastic, have been found in fish and other marine life, and more recently even in arctic snow. Only last week did the World Health Organization ask for “further assessment of microplastics in the environment and their potential impacts on human health.” A lot of us have started replacing single-use plastics with recyclable alternatives, such as plastic straws with paper ones, or even plastic toothbrushes with ones made from bamboo. Yet, there is still a lot of plastic in a lot of tabletop games, and I want us to consider its impact.
Playing tabletop games is something we all enjoy in this hobby. That’s by definition. Playing harks back to our childhood, and it is said that you learn a lot through play. So when a game reminds us of something from when we were little, it creates some extra magic. However, not everything in our childhood, or other stages of our lives, was positive. So there is some interesting interplay between our experiences and playing games, which I want to investigate a little further.