The more modern tabletop games I play, the more I realize how stories are at the core of each and every one of them. I accept that there are abstract games all about mechanisms, strategy and making the most effective moves, but even these games have a story to them, even if it's not at the fore. After all, stories are an intrinsic part of our culture, and storytelling has been around for such a long time, that nobody knows when it began.
In Project Dreamscape by Undine Studios your aim is to chain together as many of the same dream types as possible to get the most points. However, building those chains is a lot harder than it looks. Very quickly you realize that you have to plan a few cards in advance to make sure you get the longest chains, and if you're not careful, you can easily undo all that great planning. Project Dreamscape first draws you into a false sense of being a light game, and then pounces and makes your head hurt as you try and find the best order in which to build your dream sequence. The illustrations by Julie Okahara are beautifully dreamlike, adding to the sense that there is a lot more to the game than you might think.
Inspired by a recent video from Jamey Stegmaier talking about "overproduced" games (see here: https://youtu.be/PxRpL-JQMfI), I thought I'd share my thoughts on the topic. Please watch Jamey's video first, so you know what the word "overproduced" means in the context of his video and my article. The topic is quite broad, and I won't be able cover every aspect, but instead I'll discuss a select few areas that I think can help focus everyone's thoughts on the subject and allow you to be more constructive in your feedback to publishers.
If you like dice action selection games where you slowly build up action combos, then Oaxaca: Crafts of a Culture by Undine Studios is for you. Now don't be put off by dice rolling, beause in this game you can easily mitigate bad luck and even bad rolls still give you plenty of opportunities. Oaxaca ("wa-ha-ka") is also beautifully illustrated, quick to learn and really quick to play, while still maintaining enough interest even for very "serious" gamers. So there is something for everyone and one of the few games that I can confidently recommend for family gaming as well as regular games night groups.
Making a tabletop game takes a lot of effort and a lot of people. Everyone will think of game publishers and game designers, maybe even playtesters. There are also rulebook writers and editors, the manufacturers and distributors, as well as the marketing people, and many more. Who are often overlooked are the illustrators, even though it is their work that for many of us will be in our mind when we think about games.
GoodCritters by Arcane Wonders is an i-cut-you-choose sort of game with a twist. Players are members of a very successful gang of burglars and take turns to be the boss who divvies up the loot amongst everyone in whichever way they see fit. There is plenty of opportunity to be selfish or favour some players over others. Yet, it is up to the whole gang to vote on whether to accept the split or not. It's a bit like being a pirate really - but that's a different story.
For a lot of seasoned gamers only heavy games with a lot of complexity, many different mechanisms and that last at least two hours are worth playing. If you bring a light game to your weekly games group, chances are it will not be chosen and left on the pile. That is a real shame, because many of the recently released lighter games are a lot of fun and actually more tricky and demanding than you'd think.
Here is another review of a game that is quite a few years old. Bremerhaven by Lookout Spiele is from 2013, so over five years old, but it is probably the only game with a secret bidding mechanism that really works, and lots of player interaction without making you feel helpless if the other players gang up on you. There is also a huge time element in the game, that keeps you on your toes. To top it all off, the game also has a really fun theme, beautiful illustrations and a really tense gameplay. As you can see, I really like the game, so let me explain a bit more.
It's a new year and a new exhbition and event season. There are dozens upon dozens of tabletop game exhibtions each year around the world, from the giant, annual, international Essen Spiel, GenCon and UK Games Expo filling many exhibiton halls held over several days, to the smallest local events held in a single room and running only for a single day - and of course many sizes of events in between. It's impossible to attend all of them, even though it would be very tempting. So here are some tips to help you choose which events to consider for yourself.