Tabletop Player Profile – Updated

In a previous article (see Co-op or competitive?) I showed what my tabletop player profile looks like, as per Quantic Foundry's online form at https://apps.quanticfoundry.com/surveys/start/tabletop/ - which I highly recommend to everyone. In the article I said I would check my profile monthly, which didn't come to pass as other things got in the way. However, I have now completed the survey again and unsurprisingly, my profile hasn't changed a huge amount, but the subtle differences are interesting. You can see the latest results at the end of this article - and the previous results in the article Co-op or competitive?

DIY aka PnP

The advent of Kickstarter and other crowdfunding platforms has changed how people buy games. Buying games from renowned publishers through an online platform has never been particularly controversial, but buying new games from little known designers who decided to self-publish their games is more tricky. At the end of the day, it is very much about trust, and someone who is unknown will find it very hard to build up that trust with potential customers. Therefore most crowdfunding campaigns now come with a free print-and-play (PnP) download option, so people can try out a version of a new game and decide if it is for them.

Keep on rolling

Since the days of Yahtzee, roll-and-writes, as these games are now known, have made a huge comeback: Roll through the Ages by Matt Leacock, Kokoro: Avenue of the Kodama by Indie Boards and Cards, Harvest Dice by Grey Fox Games and the recent Railroad Ink by CMON are some of the many games in the genre.

Touchy feely

Pretty much all tabletop games require the use of your senses - sight, hearing and touch at least. You need to look at the board or your cards, listen to what other players do and use your hands to move your meeples or roll dice. Many recent games incorporate elements to help colour blind people, and of course hearing is often also not required and can be replaced with sign language to communicate with other players. However, no modern tabletop game makes your senses an integral mechanism - that is, until the release of Nyctophobia: The Hunted by Pandasaurus Games.

Appy gaming

Tabletop games can be enjoyed in a large variety of ways. There are many people who prefer to play solo, usually playing against some sort of AI or automa, others prefer two-player games, often co-operative, but also competitive of course, then there are people who prefer games with several players, and of course there are plenty of people who enjoy a mix of all of the above.

There can be only one

Ever so often something new hits the tabletop game industry and when this happens, it is always hard to say if it is just a flash in the pan or a new breakthrough that will turn out to be a game changer. However, I will stick my head out and make a prediction - and be happy to swallow my hat, if I turn out to be wrong.

Teach me

After playing games for a while, it is time for something new. If you are part of a games group, you may find that others in the group buy new games from time to time and bring them along - or maybe you find a new game that you really like and want to bring along. Either way, the game has to fit the group of course, because otherwise it will not get played at all, or some people in the group will not enjoy it and maybe feel sidelined. So assuming the new game that is being introduced is a good fit, what will happen at your next games night? How will you go about playing? There are several options.

Cutting cakes

There is a great mechanism in tabletop games called "I cut, you choose", also known as "I split, you choose", which creates a very interesting dynamic. The mechanism is based on the method used by two people to fairly divide something - let's say a cake. One person cuts the cake into two slices. That person can decide to make one slice bigger than the other, but it's the other person who chooses which slice they want. So if the cutter makes one slice bigger than the other, the chooser can decide to just take the bigger slice, which of course encourages the cutter to make both slices equal.

Merge in turn

Prompted by the recent announcement of Between Two Castles of Mad King Ludwig, I thought I would look at co-productions in the games industry as a whole. So, in case you don't know, Between Two Castles of Mad King Ludwig is a collaboration between Bézier Games and Stonemaier Games. Designed by Ben Rosset and Matthew O’Malley, with artwork from Agnieszka Dabrowiecka, Laura Bevon and Barlomiej Kordowski, this game is an amalgamation of Between Two Cities and Castles of Mad King Ludwig.