In last week's article, I talked about what is involved in designing a game. Now I want to continue the story of how a board game is made with the development stage, where a working game is polished to make it sparkle and shine. This step in the process can be informal and something a game designer does themselves as part of making their passion project a reality, or it can be handed over to a dedicated person, which is usually the case if a game is handed over to a publisher.
Of course it is important to make sure everyone knows about the game you're planning to release very soon or the campaign that's going to launch on Kickstarter shortly. You want people to be excited, so they share it with their friends. You want people to think your game is the best fit for them, so it can compete with the myriad of other games vying for people's attention all the time. In fact, you want your game to be amazing - the best it can be. You want others to love it as much as you do. However, there comes a point at which you might be promising more than the game can deliver. You can run the risk of overhyping your game, which can have a hugely negative effect.
Sure. It's always great to play with the latest shinies and be at the cutting edge of what board games have to offer. It makes you feel trendy, in-the-know or it's just great to have bought something new. I love it myself. It's amazing when someone offers you a game for review that hasn't been released yet. You feel honoured. It's a special thing. It just makes you happy, and enjoying games has a lot to do with happiness for a lot of people. However, there is also the flipside. It can be stressful, and often very expensive, to always hunt for the latest game, the newest release. Your fear of missing out can turn into panic. That's when it's time to remind ourselves where our interest in the hobby started.
A hook, as per the dictionary definition, is something that draws you in. In games, a hook can be a number of different things. Often it is something visually exciting, such as beautiful illustrations, amazingly detailed miniatures, realistic resources or some sort of physical component that is integral to gameplay. Hooks can also be an interesting theme, an exciting gameplay mechanism or even the background story behind how a game was made. Certain awards or even the price of a game can be a hook too. Ultimately it's about finding something that grabs your attention and gets you to take a closer look.
Travelling to games night, weighed down with a giant bag full of games isn't easy. I appreciate that many people have a car and use that to get to games night, and that makes sense, especially if you travel a bit further. However, if your friends live only a short while away, then going by bike would be another, and possibly better, option. Yet, a lot of bikes aren't really designed to carry much. Yes, you could get panniers, but they're not ideal. However, these days there are a lot of utility orientated bicycles available from your local bike shop, or you can go one better and get a custom-built bike that is not only up to the task of ferrying around bulky loads, like board games, but is also made exactly how you want it.
When you look at buying a modern tabletop game, you will have a rough idea as to how much you think it is worth - or you will have some sort of budget in your head that you want to stick to, and which guides you to the sort of games that you think you can afford. Your price expectations will be based on things such as the quantity and quality of the components, replayability and probably also rarity or hotness of a game. Yet, the amount of money you're willing to put on the counter doesn't always match the real cost or value of a game and is either too much or too little in comparison.
After a lot of work behind the scenes, I am excited to announce that Boardgame Inquisition and Tabletop Games Blog have joined forces to create Tabletop Inquisition, a topic based podcast. In each episode we’re going to tackle a different issue facing board games, the people who play them and maybe their industry.
KeyForge: Call of the Archons by Fantasy Flight Games is the first Unique game - and the word "unique" has a very special meaning, but I will talk about this later. KeyForge, for short, is a competitive two-player-only card game where players aim to forge three keys, each costing six Æmber. As players draw and play cards, they can attack their opponent and collect Æmber. The player to first forge their third key is the winner. So far it's very much like any other card game of their kind, but it is the uniqueness of the decks that is new and is what interests me about this game.
Let me start by wishing you a Happy New Year. I hope you enjoyed the holidays and had a chance to relax and recharge. Now that 2019, it's time to look ahead at my most anticipated games of the coming year. The list happens to consist purely of Kickstarter projects, because that is how I buy most of my games these days, but as the year goes on I will of course keep an eye other releases as well. The list is sorted in expected delivery order, rather than alphabetically or anything else. So here goes.
The tabletop games industry has been booming for some years now. Back in September 2016, the The Guardian website describes how the Thirsty Meeples cafe in Oxford taps into "he rise and rise of tabletop gaming" (1). In January 2017, the New Statesman website explains "ow board games became a billion-dollar business" (2), and in December 2017 the Financial Review website describes how "the golden age of board games" (3) allows the Draughts game cafe in London to benefit from the popularity of boardgames and how the industry grew over time. Even as recently as April 2018, an article on the Bloomberg website (4) says that board game nights are the latest way to network. So the boom clearly continues, and it has made me wonder if small players, be they game publishers, designers or developers, rules writers, content creators, game cafe owners or games group or exhibiton organizers, still have a role in the industry.