weekly board game reviews and thought pieces in written and audio format
I absolutely love mint tin games, and Mint Tin Mini Skulduggery by subQuark fits this bill perfectly, as it comes in a properly small, rectangular mint tin, rather than the larger format that many other mint tin games come in. That means it fits perfectly into your coat pocket, so you can have it with you at all time. After all, you never know when the opportunity arises to play a game when you're out and about.
After a lot of work behind the scenes, I am excited to announce that Boardgame Inquisition and Tabletop Games Blog have joined forces to create Tabletop Inquisition, a topic based podcast. In each episode we’re going to tackle a different issue facing board games, the people who play them and maybe their industry.
I recently went to the Watford Colosseum to watch the Snooker Shoot Out. I have enjoyed snooker for most of my life now and used to play it regularly with friends, even though I've not played in many years now. I know most people find snooker boring, and it can be, but you would have loved the Snooker Shoot Out, which is fast paced and a real laugh. Afterwards I thought about the idea that snooker could be considered a two player only, dexterity tabletop game. I appreciate it's stretching the concept a little, but then I reckon there are other terms in the tabletop games industry that are used loosely.
Economic simulation games set in 19th century Scotland are few and far between, but Clans of Caledonia by Karma Games is one of those rare games. Your role is to expand your influence in the Highlands, cut wood or mine ore for income, plant the land with wheat, as well as herd cows and sheep. You build factories that turn your milk and grain harvest into delicious cheese, bread and, of course, whiskey, all of which you will export and trade for imported sugar cane, cotton and tabacco. It is very much what you would expect from any other economic simulation game of the same ilk, yet Clans of Caledonia is exceptional because the theme and mechanisms fit like glove and hand, making for a really smooth gameplay
As you may know, I'm very active on Yucata.de, a website where you can play over 60 games online with other people around the world on a play-and-pass basis. I also frequent The Crucible Online a fair bit, where I play with my KeyForge decks against others. You can find me as "oliverkinne" on both, so feel free to invite me to a game. I also play a few games against an AI on my smartphone, such as Star Realms and Terra Mystica. I would say I still prefer playing with my friends and family, because I love the face-to-face social element that you just don't get with online games. However, online games, and I include apps as well as websites in this term, offer a number of advantages that make playing that way more enjoyable in other ways.
Haunt the House by Kids Table Board Games is not your usual paranormal investigation game, where your role is to explore a haunted mansion and exorcise the evil spirits found within. Instead you take the role of ghosts living happy lives in a comfortable and beautifully spooky house, which is suddenly invaded by pesky humans. So to chase them away you use your full arsenal of scary noises: moans, creaking doors and sudden bumps. Match the right noises to the right person and you score points - but your fellow ghosts try to do the same and they could steal the person and the points from under your nose. So it's important you make the right noises at the right time.
The more modern tabletop games I play, the more I realize how stories are at the core of each and every one of them. I accept that there are abstract games all about mechanisms, strategy and making the most effective moves, but even these games have a story to them, even if it's not at the fore. After all, stories are an intrinsic part of our culture, and storytelling has been around for such a long time, that nobody knows when it began.
In Project Dreamscape by Undine Studios your aim is to chain together as many of the same dream types as possible to get the most points. However, building those chains is a lot harder than it looks. Very quickly you realize that you have to plan a few cards in advance to make sure you get the longest chains, and if you're not careful, you can easily undo all that great planning. Project Dreamscape first draws you into a false sense of being a light game, and then pounces and makes your head hurt as you try and find the best order in which to build your dream sequence. The illustrations by Julie Okahara are beautifully dreamlike, adding to the sense that there is a lot more to the game than you might think.
Inspired by a recent video from Jamey Stegmaier talking about "overproduced" games (see here: https://youtu.be/PxRpL-JQMfI), I thought I'd share my thoughts on the topic. Please watch Jamey's video first, so you know what the word "overproduced" means in the context of his video and my article. The topic is quite broad, and I won't be able cover every aspect, but instead I'll discuss a select few areas that I think can help focus everyone's thoughts on the subject and allow you to be more constructive in your feedback to publishers.
Oliver KinnePost read time 6 min readLeave a Comment on Oaxaca: Crafts of a Culture (Saturday Review)If you like dice action selection games where you slowly build up action combos, then Oaxaca: Crafts of a Culture by Undine Studios is for you. Now don't be put off by dice rolling, beause in this game you can easily mitigate bad luck and even bad rolls still give you plenty of opportunities. Oaxaca ("wa-ha-ka") is also beautifully illustrated, quick to learn and really quick to play, while still maintaining enough interest even for very "serious" gamers. So there is something for everyone and one of the few games that I can confidently recommend for family gaming as well as regular games night groups.
