Marco Bucci is a freelance artist and his experience includes books, film, animation, and advertising. He has worked for Walt Disney Publishing Worldwide, LEGO, LucasArts, Mattel Toys, Fisher-Price, Hasbro, among many others. He is also a passionate teacher and currently teaches "The Art Of Color & Light" at CGMA.
I have previously written about small box games in my article "Compressed collections" which can create a lot of gameplay with only a few components. However, even larger box, or big box, games are sometimes very inventive when it comes to using components in a clever way to create more gameplay and possibilities than would otherwise be possible. After all, board games have it much harder when you compare them to computer games. They have a limited number of components that come in a box, even in a large box. So I want to look at how the same components can be used in many different ways.
"Hm. Deep Purple looks good. Life's A Peach is also very warm and rich. Oh, and of course, we want the Cactus Jack. That would be the perfect triad of colours." You step back and look at the colour samples you just painted onto the wall in the kitchen. "Yes, that's it." You're so pleased to have come up with this perfect colour scheme. It had been harder than you had expected. Mixing the 13 cyan, 14 magenta and 15 yellow in the right combination had been a bit of job, let alone getting all the red, green and blue to mix up the cyan, magenta and yellow, but the result was more than worth it. "Yes," you say out loud, "that's the perfect Swatch by Minerva Tabletop."
As many of you probably already know, I'm a very visual person. So it's no surprise that I am drawn in by great board game art, sculpts, luxurious components and overall visual appeal. Don't get me wrong, visual appeal alone doesn't make me want to buy a game, but when good gameplay and great art come together, a game really zings for me.
Sparkling jewels, shiny gems and precious stones lay in front of you - but only a handful and not necessarily the best example. Your hope was to sell some them for enough profit to be able to buy shares in a diamond mine and attract highly skilled craftspeople who would transform the slightly lacklustre gems into magnificent jewels and allow you to bask in Splendor by Space Cowboys.
Andrew Bosley has been a professional concept artist in the video game industry since 2006 and in 2013 became a freelance concept artist and illustrator. He has worked on games including Everdell, Tapestry, Mission: Red Planet, and Citadels. He is also a game designer and writer.
As many of you probably know, I only have limited space for games. That's why I very much like small box games that have a lot of gameplay crammed into a small volume. It's also the reason why I have been reboxing games that come in bigger boxes, compressing them down and getting rid of all the extra air that came with the original packaging. I have written about this in my article "Box clever?" a couple of years ago, and this time I want to give you some concrete examples of small box games crammed to the brim and larger box games that I have shrunk down.
Oliver KinnePost read time 5 min readLeave a Comment on Euphoria: Build a Better Dystopia (Digital Eyes)You were constantly tired from working endless hours day in and day out. You had very little time to think about the world and when you did, you didn't have the words to describe what you saw and felt. However, you had used every spare moment to puzzle together scraps of clues into a bigger picture and had created new words with meanings that your heart dictated, but that were otherwise unknown. You felt that you were now so close to wrestling away the power from your oppressors and turn this world into a better place - but you knew you had to make sacrifices to build your Euphoria: Build a Better Dystopia by Stonemaier Games.
The cost of tabletop games is a topic that keeps popping up. There is the question of whether games have now become "overproduced", in the sense that the game components have become more expensive, due to an increase in quantity, an increase in quality or both. There is also the question of whether games have always been sold too cheaply, leaving everyone with tiny margins. There are many reasons that decide the cost of games, but I want to look at the other end of the chain. I want to see how consumers decide when a game is good value for money.
"Bubble, bubble," the herb witch cackles. "Stir the pot - nice and slow," the miracle doctor says. "Slowly, add another ingredient... what will it be?" the quack surgeon asks, looking at you intently. You reach into the bag, with anticipation, not quite sure what ingredient your hand will retrieve. "Come now, come now," the witch emplores. "Put it in the pot, don't hesitate," the miracle doctor tells you, rushing you along. You can't look. You quickly withdraw your hand and throw the ingredient in the pot and as you do so, you open your eyes a tiny bit and see a flash of white. A cherry bomb lands in the pot with a splash and a fraction of a second later it explodes. However, it's not too late to seek help from The Herb Witches by Schmidt Spiele.
