I recently talked about how some of us need to let people know what we're up to, by regularly sharing updates with our followers - see my article Image matters. Now I want to drill into this a little deeper and discuss the various platforms you might want to use. My focus is on tabletop game reviews, as this is one of the things I do, but you can apply the same ideas to similar content.
As many of you will know, I absolutely love small box games, and mint tin games in particular (see episode 6 of the Tabletop Inquisition podcast). They're so easy to stash away and take with you anywhere, and Mint Works by Five24 Labs is a great example. The small mint tin is robust and can easily deal with knocks, it's quick to set up, as it consists basically of a deck of cards, and the tin itself functions as the pool for the mint worker tokens. The gameplay is also relatively quick, so overall it's ideal for when you're out and about - on a train, plane or a bus, or while you're waiting for food in a pub or restaurant.
Unless you're a very outgoing person or working in marketing, you will probably not want to boast about your achievements, or maybe not even see what you do as worth mentioning at all. In fact, you might hate the idea that everyone expects that you constantly post photos and write updates about every little thing that happens in your life. I can see where you're coming from, and there is nothing wrong with that, but if you're a game designer, publisher or a press person, you will need to try and be somehow present, even if that feels alien.
I am making a slight diversion from my usual reviews and am looking at a book instead. However, it's The Board Game Book, so don't worry, we're still on topic. It's not the first book all about board games of course, but it certainly stands out, because it counts a number of professional writers among its contributors. So the quality of the writing is high, and the editing and production are also excellent - but let me start at the beginning.
When you look at buying a modern tabletop game, you will have a rough idea as to how much you think it is worth - or you will have some sort of budget in your head that you want to stick to, and which guides you to the sort of games that you think you can afford. Your price expectations will be based on things such as the quantity and quality of the components, replayability and probably also rarity or hotness of a game. Yet, the amount of money you're willing to put on the counter doesn't always match the real cost or value of a game and is either too much or too little in comparison.
In the year 3030, mankind has developed the technology to hold epic real-life battle events where daring fighters skilled in direct combat and with hundreds of hours of experience piloting the latest advancement in mech suits, race around an arena where they place their turrets and mines, collect credits to buy weapons and shields, charge their energy storage and don their power suits in an attempt to reach the mighty mech exoskeleton, so that they can leave victorious, as hundreds of millions of viewers watch the proceedings and bet on which of the Tiny Epic Mechs will win.
Playing tabletop games is something we all enjoy in this hobby. That's by definition. Playing harks back to our childhood, and it is said that you learn a lot through play. So when a game reminds us of something from when we were little, it creates some extra magic. However, not everything in our childhood, or other stages of our lives, was positive. So there is some interesting interplay between our experiences and playing games, which I want to investigate a little further.
In a future where mankind has resolved to abandon war and replace it with virtual battles, teams of nine elite fighters selected by their nations face each other in pairs to win a precious new energy source that promises to bring the world back from the ashes. You have the opportunity to lead one of these teams out onto the 3 by 3 grid, where you take turns with your opponent and carefully occupy key positions in the hope that you win battle after battle to become a hero of the Vector Wars.
I was inspired by a comment on a recent Kickstarter campaign to investigate how a publisher's decisions about how a game is released can give customers the feeling of exclusivity in a negative sense, the fear of missing out, an opportunity for profit, and many more things that can negatively affect the opinion people have towards the company or individuals releasing the game. So let's look at how different choices can be viewed differently.
The stage is prepared: a dusty old tome in the middle, a silver dagger encrusted with rubies across the open pages marking a specific section in the ancient text, a goblet in front of the book filled with the blood of thirteen poor souls, and five candles arranged in a pentagon around the periphery of the white marble pedestal. The whole room is gloomy and the air is thick with incense. There is absolute silence as you focus your mind on the difficult ritual you're about to perform. The stakes are high, but if you succeed you will be able to summon a greater demon, who will bestow you the nine favor you need to become The Chosen, the highest-ranking cultist in your circle. The Blessed Dark by Nathan Meunier drags you away, kicking and screaming, into a world of deck building, rolling dice and casting spells.
